“The lessons of Bicycle Thieves stayed with me. “MORE RELEVANT, MORE POWERFUL, MAYBE MORE REAL THAN EVER” The restored print a new generation to see how simple, direct, and true it is – ‘what was so special about it.’” The poll is held every ten years by 1962, it was down to a tie for sixth, and then it dropped off the list. Given an honorary Oscar for 1949, routinely voted one of the greatest films of all time, revered as one of the foundation stones of Italian neorealism, it is a simple, powerful film… When the British film magazine Sight & Sound held its first international poll of filmmakers and critics in 1952, it was voted the greatest film of all time. Scott reviews Vittorio De Sicas masterpiece of Neorealism, 'The Bicycle Thief.'Subscribe to the Times Video newsletter for free and get a handpicked s. “ The Bicycle Thief is so well entrenched as an official masterpiece that it is startling to visit it again after many years and realize that it is still alive and has strength and freshness. “One of art film's most powerful gateway drugs, still haunting in its painful simplicity, laced with the unforgettable behavioral moments that may be De Sica's greatest claim to posterity.” He transforms the sheer scale of the city and the vast number of residents in similarly desperate straits into A SYMPHONIC LAMENT FOR THE HUMAN CONDITION.” Revealing the catastrophic impact of seemingly minor events on people who are struggling to subsist, De Sica endows slender side business and incidental pictorial details with high suspense and tragic grandeur. “PERHAPS THE QUINTESSENTIAL WORK OF ITALIAN NEOREALISM. Attacked in Italy as being too negative, but still winner of the Italian Best Picture equivalent, New York Film Critics’ prize, and Best Foreign Film Oscar. Ladri di biciclette (1948, De Sica) In a devastated postwar. Ladri di biciclette (1948, De Sica) In a devastated postwar Italy, even a job posting bills for a Rita Hayworth movie looks good to unemployed Lamberto Maggiorani, but when his bike is suddenly stolen, it’s time for him and his little son Enzo Staiola to take a desperate odyssey through Rome’s looming streets.
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